Category Archives: Journal exercises

Welcome to 2014!

Writer Friend asked me yesterday what my creative plans for the coming year were. (He means to finish the last draft of his novel to his agent’s satisfaction.  Good luck to him, I say.)

Me?  Well, I just stared at him with my lower jaw on my chest.

Plans?  Creativity?  Ideas?  Hell, even original thought?  I beg your pardon?

Let me explain:  Mother-in-law (henceforward referred to as Mother) lives with Aunt-in-law (henceforward referred to as Aunt).  Mother has dementia.  Aunt is profoundly disabled by arthritis.  Aunt is Mother’s carer.  Just before Christmas, Aunt fell on the stairs and was rushed to hospital with suspected broken neck. Cue care crisis.  Luckily, neck was not broken. Result, however, was several days in hospital for Aunt, meaning Mother had no carer.  Husband and I, and rest of family, rushed the three and a half hour drive to take over care.  Aunt comes out of hospital, still needing 24-hour care.

Its a mess.

The upshot of all this is that we spent Christmas nursing, so effectively Christmas didn’t happen.  For ten days, my brain was occupied thusly: 90% firefighting care/nursing issues, 10% ‘ohmygodhowarewegoingtogetthroughthis???????’

We made it home in time to spend an exhausted New Year’s Eve with dear friends, and to stare blankly at the telly for the Sherlock Series Three Episode One premier last night. (Don’t ask me for an opinion, I haven’t got one yet.  I’ll tell you when I get my brain back.)

I haven’t had an original thought to spare for myself for nearly a fortnight.

So the plans I had for writing a jolly, upbeat, ‘these are my creative plans for 2014’ post for you today are wrecked.  I don’t have any plans because I haven’t had time to think about them.  Of course, I will write one, eventually, when my brain is less bombed, and when I have recovered from the bone-deep exhaustion that only an ME sufferer faced with such an emergency can experience.

Why am I telling you all this?  (Apart from to apologise for not writing something you didn’t even know I was going to write?)

Because this is a real-life demonstration of the philosophy this blog was established to promote.

In a minute, I will put away my laptop and excavate my desk from under the heaps of clutter that accumulated there in the chaos before Christmas.  And then I will open my journal, and pick up my pen, and press the nib to the paper.

And then I will find my way back to myself.

Somewhere, buried under the rubble of the last two weeks, is my soul.  My mind.  My creativity.  And my pen will make a line, a track that will lead me back to my soul, my mind, my creativity.

This is why writing is important.  Whether we write a journal or a story, a play or a poem, that line of ink leads us home to ourselves, over and over again.  And if we follow that inky trail, we will never be lost, no matter how difficult and hopeless things seem.

Happy New Year,

With Best Wishes,

EF

Word of the Year 2014

So, we have thought about intentions, and we have begun to consider the words that identify how we want to feel.  Those (five) words are the place from whence our intentions arise.  Because every day we can choose to do things that make us feel that way.

Clever, eh?

But there’s more:

You may have bumped into the idea of having a Word of the Year.  You can find out more about this habit here.

A Word of the Year is a kind of overall intention.  It gives you a direction, a way of formulating how you want to be in the world. It also has an uncanny habit of bringing into your life exactly what it says.

My word for 2013 was

Revolutionary

And oh boy, was it?!

This year has fundamentally changed how I feel about myself.  I have undergone a revolution in my core beliefs and my way of approaching the world.  I have turned my attitudes about my place in the world and, most particularly, in the world of work, on their heads.  In some ways, I have also revolved (the other meaning of revolutionary), coming back full circle to revisit issues that I thought I had dealt with before.

I have revolutionised the way I write and the way I feel about my writing.  I have set up this website and begun to dream new dreams about the kind of things I want to create.  It is exhilarating.

Let me tell you, revolution doesn’t have to be a violent upheaval that ends with tyranny and blood.

I have to confess that when the word first came to me, in the form of just revolution, (while I was still in the malaise of a serious bout of influenza which brought me close to being hospitalised), I was a bit scared.  I knew it was the word I needed, but it sounded frightening, as if I could be inviting an earthquake into my life.  Was I really ready for that much change?  After all, with limited energy, poor health and a susceptibility to anxiety and stress, it didn’t really sound a good idea to invite those kinds of energies into my world.  So I fiddled with it until it felt more friendly, more manageable.  And more appropriate to what I could cope with.  It became:

I AM REVOLUTIONARY

And this year, I have been.

So the question then becomes, what do I want to be next?

I don’t have to stop being revolutionary, of course, but 2014 needs a new word, something that allows new energies into my life, allowing me to blossom and grow in new ways.

I have been sitting with my five words and my journal and calendar, contemplating what I want to be and do next year.  How I want to build on the intentions and lessons that revolutionary brought with it?  I thought about kind, lovingkindness, courage, and strength.  The first two felt too soft, and the last two, too tough.  I needed something flexible, something I can grow with, something I can work with whilst still treating myself with lovingkindess.  And this is what I came up with:

DARE

Dare feels good.  It popped into my head at 2am on the way back to bed after a loo break (TMI), and I knew it was the right word.

Dare is about having a go, putting yourself out there, but not in a way that is perfectionist.  Not in a Nigel way.  Dare means trying something out and seeing if it fits.  It means trying something, and knowing that it doesn’t matter if I fail or if I don’t get it exactly right the first time, or even if it turns out to be the wrong thing after all.  At least I will have tried.  At least I will be in the arena fighting, as Roosevelt would put it.

Journal Exercise:

So, I invite you to take time to sit with your feelings words, with your creative and life intentions, and to consider what word might truly describe and inspire how and who you want to be in 2014.  What feelings and new adventures do you want to manifest in your life?  What energies do you want to invoke?

When you consider this, do it in the spirit of lovingkindness towards yourself.  Look at your life with a gentle hope, not in the spirit of forcing yourself into new contortions.  This is not some New Agey wishing, some pseudo-psychobabble soppy thing.  This is a life affirming way of moving yourself to new levels, of becoming more yourself every day, and of being deeply, affirmatively and satisfyingly creative.

Everyday life is a continual act of creativity.

When I say ‘sit with it’, I mean: allow yourself time to consider.  Allow ideas to filter, percolate and bubble in your mind.  Don’t force it.  It will come to you.  Let it happen.  You know deep inside what you want for yourself as a creative being.  Allow it to emerge.  And then rejoice in it.  Allow it to inspire every corner of your life for the whole year.

I guarantee it will take you places you can’t even begin to imagine right now.

Happy Creating,

EF

How do you want to feel?

“Be willing to look at your own life and want more for yourself without beating yourself up or making it about another self-improvement plan.” -Jennifer Lounden

Jennifer Louden’s recent post about Freedom from Self-Improvement seems completely apposite right now, in the run-up to Christmas, when we are all feeling the ‘we’re not worthys’ very badly.

Everyone else seems to have a nicer house, prettier, more stylish decorations, tastier cocktail treats, better fashion sense, better-behaved kids.  My own melt-down usually comes with present-wrapping.  Everyone these days makes present wrapping into an art form.  Me, I struggle to fold neat corners in my artfully chosen, blends-with-the-bauble-colour-scheme wrapping paper, never mind the hand-cut decorative snowflakes and layers of gauzy ribbon that some people cook up!

Christmas is a bunch of big red emotional triggers for me anyway.  So right now, I am choosing how I want to feel, and doing only those things that make me feel the way I want.

Sounds too good to be true?  Too many SHOULDS on your plate to even think its possible?

Remember, you always, always have a choice.

In the last post, I was talking about Intentions as an alternative to goals.  There is a process to setting intentions, and it starts with this:

How do you want to feel?

I found this exercise in Danielle LaPorte’s excellent book, The Firestarter Sessions.  It is another book I heartily recommend, and if you want to know how to do it properly, I suggest you grab a copy and check out the worksheet on page 73.

Journal Exercise:

Take some time with your journal.  Write about the feelings that give you a sense of wholeness, enoughness, satisfaction, happiness.  How do you want to feel about yourself?  How do you want others to see you?  What qualities do you admire in yourself and others?

Come up with between three and five words that describe how you want to feel/be in your life.

Mine are:

Radiant

Calm

Wise

Joyful

Creative

Take your time over this.  Make a long list, if you like, and sit with it for a while, weeks if necessary.  Then hone it, edit it, pick and choose until you come up with a series of words that describe heart of who you are.  How do you want to feel in the future?  What symphony do you want to start in your heart?

Key to this part of the process is NOT BEATING YOURSELF UP.

Choose words that resonate with you.  Not what other people would like you to be, or what you think you OUGHT to feel.  You are shaping your life, your coming year.  What feelings do you want to feel?

This is not about self improvement.  It is about self-actualisation.  It is about being fully and deeply yourself.  And by being fully yourself, you can let your innate creativity loose.  You can choose your creative direction and flow with it.

For more on this, check out Danielle LaPorte’s website.

In the next post, I will be talking about your word for the New Year

Happy Journaling,

EF

Why I don’t set Goals anymore

I love deadlines.  I love the whooshing sound they make as they fly by.

Douglas Adams

 Following on from my previous post about celebrating our creative achievements, I’d like to talk a bit about goals.

There is a lot of talk about setting goals and resolutions for the New Year around in the blogosphere at the moment.  I’m a sucker for all kinds of productivity systems, believe me.  I’ve got a cupboard full of Filofaxes, and I’ve read David Allen’s book ‘Getting Things Done’ more time than I can possibly count.  (I still don’t really understand it, though.  But that’s another story.)  Anything that requires a list, a planner, a diary, a system, I love it.

Except.

The thing about goals is that they are just another tyranny of the Scarcity culture, the trend in society that persuades us that we are not enough.

Meet your goals and you will be enough, they say.

Except.

What if they are not the right goals?  What if they are someone else’s goals that you are just pursuing because you feel you have to in order to please them?  What if life gets in the way and simply prevents you from completing them?

And.

Once you have achieved your goal, there is always, always another one.  One goal is never enough.  Because you are never enough.

What if you were enough?

What would you do if you couldn’t fail?

More importantly, what would you do if it didn’t matter if you failed?

The Catch-22 is this:  Our success-oriented culture tells us that we must have goals in order to be successful.  (For a very narrowly defined value of success, that is.)  If you don’t achieve your goals, you are a failure.  If you do achieve your goals, then you have to have more goals.  We are on a twenty-first century hamster wheel.

Let me illustrate:

Your goal is to write a novel.  How do you measure that goal?  Is it to write 50,000 words, as NaNoWriMo would have it?  Is it to complete a first draft?  Is it to get to a drafting stage where an agent accepts your work?  Is it to get it to the drafting stage where an editor is satisfied?  Or to publication?

And when you get there, what next?  Write another novel?  Does this one only count if it wins the Man Booker Prize?  Or if it tops the Amazon bestseller lists?  Or if you make your first million from it?

You see what I am getting at?  When do you say ‘when’?  When is it ‘enough’?  When does the goal, the To Do list, end?

Yes, goals motivate us.  They help us to get things done.  They help us build businesses and careers.  They help us expand our expertise, our creativity, our skills and range.  As creative people, goals help us to plot a course of where we want to go with our talents, what we want to explore.  And that is all good.

Except when it isn’t.

Intentions

The Douglas Adams quote at the top of this post says everything I feel about goals.  For me they are stressful, and because of my health, I need to eliminate all the stress from my life that I can.  That’s why I set intentions.

Intentions are gentler.  Intentions allow room to grow and explore.  They don’t stop me from achieving things.  They allow me to achieve far more, in fact, because they allow me space to find out more about my creativity than a narrow, specific goal might.  They also take account of the times when my health does not allow me to pursue timed objectives.  Intentions are better for my kind of creativity and my own personal challenges than goals.  And they take account of who I am as a whole being.  They allow me and my creativity to grow at a slower and more mindful pace.

If you are wondering what an intention might be, how about this illustration:  This year I decided on the Intention to make our home a calmer place filled with light and peaceful colours.  Now, I could make a whole To Do list based on this intention:

  • Paint bathroom white
  • Buy new living room rug
  • Sew new curtains and cushions
  • Declutter every room

And so on.  These might be classified as goals.  They might even be timed, with one goal set for every month of the year.

Instead, this Intention can evolve over the coming months.  Each of these items may indeed be included in the things I do to fulfil my Intention, but they are part of a wider, more fluid way of living that allows for evolution and expansion.  Intentions don’t stay still.  They move and change shape.  They allow me to go at my own pace, a pace that I can afford, both in terms of personal stress, time and finance.  If I decide an action doesn’t fit with my Intention, then I am at liberty not to do it.  And I know I am not going to wake up the morning after I have put up the new curtains and realise they are completely horrendous in the light at this time of year!

Perhaps the two things I like most about Intentions are that they are:

Not static

Slow.

Perhaps you might feel that Intentions are a luxury that you cannot afford in your time-pressured, stressful existence.  If you feel that way, I invite you to consider seriously how you are living.  If you are all rush-rush-rush, how are you ever going to have time to notice and experience your life as it passes?

Journal Exercise:

In the next few posts I am going to talk about the process of setting (particularly creative) intentions.  And it is a process, something that evolves and takes time.

In the meantime, take some time out with your journal to think about what goals mean for you.  Are you one of those people who always fails with their New Year resolutions?  Do you have goals, and if you do, do you achieve what you set out to do?  Do you consistently set them so high you can’t but fail to achieve them, or so low that you don’t value them because they take no effort to achieve?  How do you use goals to beat yourself up, to tell yourself that you are not good enough?  Where do you fail, fizzle out, fall off the waggon, and do you know why?

Alternatively, how do goals motivate you?  What have they helped you to achieve?  How do you feel when you complete a goal –are you proud of what you have done, excited about the next step, satisfied that you did what you set out to do, or disappointed because you don’t feel as if the result is quite what you expected or wanted?  Was it the right goal for you in the first place? (Indeed, whose goal was it?)

While doing this exercise, be kind to yourself.  Don’t judge.  Be gentle.  Treat yourself as if you were a dear friend whom you want to support to the utmost.  Be patient.  Don’t rush.  You are not seeking to punish yourself.  The goals have done that effectively enough already.  You are on the journey to find a new way of being.  A new way of sparking your creativity and enriching your life.

Happy Journaling,

EF

 

Reflecting on our Creative Achievements

2010-12-25 13.48.32

My mother-in-law’s mad Christmas tree. Apologies that the carpet is all ruckled up!

Christmas is coming.  We are all rushing around panicking about what to buy Great Auntie Flossie, trying to get trees up and mince pies made.  And once all the kerfuffle dies down, we’ll be trying to formulate New Year’s Resolutions while our heads are still spinning from the tinselly onslaught.

The blogs I follow are already jam-packed with ideas for resolutions and how to plan your goals for next year.

Aren’t we exhausted enough?

Let’s just take some time to stop and reflect.  To consider what we have achieved this year, before we start pushing ourselves about next.

I don’t think we take enough time to recognise and celebrate what we achieve. We are constantly encouraged to move on to the next thing, the next goal, always more, more, more!

Because we are never enough.

Yesterday I came across Dr Brene Brown’s book, ‘Daring Greatly’, in the library.  I have read and benefitted greatly from her earlier works, but I had avoided this one because for some reason I had got it into my head that it was about parenting, which isn’t exactly relevant to me.  I was wrong.  The first chapter, on Scarcity, had my head spinning!  I highly recommend you read it.

As writers, scarcity is a constant problem.  After all, in such a subjective realm, how can you measure enough?  I wrote recently about the problem of owning yourself as creative.  This is intimately linked to the problem of enough.  How can you know when you have done enough, produced enough, published enough?

I think one way to tackle this sense of dearth is to recognise and celebrate what we have done.

This year I have started this website, something I really didn’t think I had the guts to do.  This is my 86th post.  That’s a whole lot of words.  A big achievement?  You’d better believe it!  I have published over 40 fanfics too.  I have put myself out there.

This is not blowing my own trumpet.  This is stating the facts.

I am proud of what I have made this year.  It may not tally with the list of goals I made in January, but I’m okay with that – I’ll tell you why in the next post.  I’ve been telling myself I didn’t achieve a lot this year, but actually when I sit down and reflect on what I’ve done, I’ve moved mountains!

Journal Exercise:

Before you get too lost in the melee of Christmas, set aside some time to take stock.  Sit down with your journal, and a glass of wine if you like.  Perhaps light a candle, and put on some gentle music.

Think about what you have done this year.  Don’t look at your list of goals and resolutions.  Don’t think about all the things you planned to do, and didn’t.  Think about all the things that did get done, and the unexpected achievements too, things that came out of nowhere, the gifts the Universe has given you.

Count everything, from getting to see your favourite actor in a play, to passing that exam, from painting your biggest picture yet, to being in the village Christmas Panto.  Maybe you had a poetry collection or a novel published, exhibited your art, won a competition, or maybe you read out your first poem in public, or tried painting or drawing for the first time.  No matter how big all small, list everything.  Think about all the creative things you did, the cakes you made, the dances you went to, the pumpkin you carved, the costume you made for your kid’s school play.

Be proud of yourself, of where you are now.  Do it for yourself.  Savour it.

Because you are enough.

Happy Reflecting,

EF

Journal Friday (or rather, Thursday): Samhain

treepumpkinHappy Halloween everybody!

This week, and today in particular, journalling seems to be a particularly apposite subject, which is why you are getting a Thursday post instead of a Friday one!

In ancient tradition, the festival of Samhain, or Halloween as we now call it, was not simply a Feast of the Dead.  There is so much more to it than that.

Our ancestors celebrated the last harvest festival at this time, the final moment before the real onset of winter in Northern Europe.  The main crop  harvests had been gathered in.  Now was the time to choose which of the beasts on the farm was likely to survive the winter, and which were too old or too sick to waste valuable fodder on.  Food had to be laid in for the coming cold months, for the next crops might not be ready until June or July at the earliest.  So the animals that had outlived their usefulness had to be slaughtered and salted for meat, and the perishable parts eaten quickly.

It was not just the animals that faced mortality at this time.  For the majority of human history, we have faced high mortality rates in winter, and even now, you are more likely to die in January than August (click here.)

As the weather deteriorated, and darkness closed in, people were forced inside to do more meditative tasks.  Winter is necessarily a more interior time, and this means both literally and metaphorically.  There is even an energy change – plants retract as greenery dies off, while the roots go dormant in the cold soil, recharging in preparation for the growth spurt of Spring.  Some animals hiberate, and for good reason.  It is no coincidence that there are many myths associated with this process, most notably that of Persephone’s sojourn in the Underworld.

We live in a 24/7 world adorned with electric light and heating, but if you suffer from Seasonal Affective Disorder, you will understand how human biorhythms fluctuate over the seasons, despite our best efforts to pretend we are immune.  Most of us cannot afford to spend 6 months of the year in warmer climes, and if we could, it would not necessarily be good for us.  We need downtime too, just like the plants and animals from which we have evolved.

We need to withdraw into our interiors, our homes and our souls, to curl up beside a crackling fire under fluffy blankets, with hot drinks, to rest our bones.

The active, exterior period of the year is over.  Now we concentrate on the swift approach of Christmas, a time for family, and New Year, and time for assessing our lives and where we want to take them next.  Prior to the rush, it is good to set some time aside to contemplate our dark interiors, to work out what we really want, and perhaps, what we are most afraid of.  Some elements of our lives naturally die off, whilst others are hibernating, or are seeds lying in the ground awaiting the rush of Spring.

We usually choose New Year in January to make resolutions and start new habits, but for the Ancient Celts, Samhain was the new year, and they valued this time of contemplation and stillness.  The Scandanavian Viking cultures observed ‘Winter Finding’, also a period of contemplation.   Instead of letting your plans arise out of the post-Christmas exhaustion and a haze of overindulgence, October/November can offer more time and space to think.

Samhain Journal Exercises:

Make space to be alone.  Settle down in a warm room, light a candle, put on some soft music if you like, and have a glass of apple juice or red wine handy, along with your journal and favourite pen.  Rest and relax.  There is no pressure.  This is time for you.

Think over the past year.  What were your goals?  What were your successes?  Did you experiences failures or losses? Write about them – and what you have learnt from them.

Samhain is a time of natural wastage, of matter decomposing to feed future growth, a time of endings that feed beginnings.  What has died for you this year?  What relationships, habits, activities have fallen away?  Are there elements in your life that you would like to release?  Write about them.

If you have lost a loved one, take time to remember them in your journal, to write down your favourite memories.  If you had a difficult relationship with them, write about your ambivalent feelings.  People say it is wrong to speak ill of the dead, but it is far more damaging in my experience to deify them into saints that they were not.  Do not judge yourself as you write.  Lay your pain, your loss, your grief, on the page if you need to.

The apple is the fruit of Samhain.  Inside its tasty flesh are five seeds.  What seeds would you like to plant into the dark earth for the coming year?  Take time over this – it may take you the whole of ‘Winter Finding’, or the run-up to Christmas, to decide what new dreams you wish to plant.  Don’t rush it.  You are setting your intentions for coming months.  You may like to think about this post from Kelly Rae Roberts as inspiration.

Draw or collage pages to represent the past year, and what you hope for in the coming year.  Don’t worry about how good your pictures are – they are for your eyes only.  The point is to root images of your intention in your subconscious, which doesn’t care if you are Rembrandt or not!

Happy journalling,

EF

Journal Friday: Derek Jarman’s Sketchbooks

jarman diariesIt’s been a very busy week, and I’ve been diving into all kinds of exciting new and inspirational activities, including the UEA Literary Festival.  I’ve also been submerged in the magical world of Derek Jarman’s Sketchbooks, edited by Stephen Farthing and Ed Webb-Ingall, and I want to share the inspiration I’ve found in them with you.

derek_jarmanIn case you have never heard of Derek Jarman, he was a fabulously talented artist, film-maker, designer, writer, gardener and Gay Rights activist whose career was tragically cut short by AIDS in 1994, aged 52.  He directed music videos for the Pet Shop Boys and designed the sets for Ken Russell’s landmark 1971 film, ‘The Devils’.  At his home in Dungeness, he created one of the most haunting modern gardens in Britain, one that I am deeply in love with.

I first became aware of Jarman when I saw his film, Caravaggio (1986), starring Nigel Terry, Sean Bean, and Tilda Swinton in her first film role.  Later, in 1991, I wept my way through his heart-breaking ‘Edward II’, an adaptation of Marlowe’s play that spoke of Jarman’s outrage at homophobia in Thatcherite Britain.  These are not easy and accessible films.  They are, however, fabulous to look at, and very moving.

When I came across this edition of the sketchbooks in the library the other day, quite by chance, I had no idea that Jarman was a committed visual diarist.  The sketchbooks themselves are large – family photo album sized – and each cover is decorated in black and gold, making a slightly varied but pleasing continuity.  Inside them, Jarman uses ephemera, calligraphy, drawing and painting, poetry, pages of film scripts, actors’ head shots from casting sessions, clippings from newspapers, reviews, photographs of friends and colleagues, bits of feathers and pressed flowers to document his life and each of his projects.  The sketchbooks contain his thoughts on everything from his garden (there is a carefully drawn planting plan), to his illness, to sex, history and death.

Jarman made a series of paintings, the ‘GBH’ series, of black on gold abstracts, inspired by Goya’s Black paintings, and a film called ‘Imagining October’, which arose from finding Sergei Eisenstein’s own copy of ‘Ten Days that Shook the World’, the famous book on the Russian Revolition, and on which Eisenstein had based his ground-breaking film, ‘Battleship Potemkin’.  Jarman had been shocked to discover how much of the book had been redacted with blacked-out text by the Communist authorities.  Both of these concepts are reflected in the sketchbooks, where you can see Jarman working on the idea of black bars with gold writing, seen on the cover of the volume.  Jarman’s anger at the political situation for Gays in the UK shines through these blackened pages.

One of the things that particularly strikes me is the simplicity of the layouts he uses.  Even when he is writing pages of text, making notes or journalling, there is a sense of space.  Nothing is cramped.  He spreads out, not denying himself room to work, enjoying the clarity of white space around his words and images.  This is something I will definitely take away. My diaries always feel cramped.  I always feel that every inch of space must be used, because materials are scarce.  This denial of room to grow is cramping my creativity, something I need to break out of.

I want to draw inspiration from the sheer range of activities Jarman undertook, too.  For him, there is no line in his sketchbooks between diary, writer’s notebook, sketchbook, planner or scrapbook, anymore than there were boundaries between the creative areas he worked in.  Although he was primarily a film-maker, he was so many other things as well.  Jarman teaches me that I don’t just have to stick to writing.  I can follow where ever my Muse leads me.

There are no limits to what we can create, only the ones we impose on ourselves.

Things to try:

  • See if you can get hold of a copy of Jarman’s sketchbooks.  It isn’t cheap – £28 – so maybe you can order it from your library.  You may not like his style of modernist art, but you can appreciate how he puts every aspect of his life into these visual journals to make a record of his thinking.
  • Use your own sketchbook or diary as a kind of studio to record everything you do and think about a particular project.
  • Collect clips, postcards, photos, anything relevant to stick in – Jarman even stuck a ten pound note into his!
  • Luxuriate in space.  Allow each of your drawings, paragraphs, or collaged pieces to bask in a frame of white space, so that they can shine out, and be seen for what they are.  Don’t fall into my scarcity trap – there will always be more paper.
  • Decorate the covers of your sketchbooks or journals in a similar way, as Jarman did, each one slightly different, but using the same colours or materials.  Maybe you could do ‘series’ of notebooks, with matching covers, for different projects.  Don’t be precious about them, however.  Jarman once stuck a heavy bronze seal on the front of one of his books, but it was too heavy to carry and got in the way, so he ended up prizing it off.  The scarred gold cover is even more interesting as a result.

Happy journalling,

EF