Where do your ideas come from?
That is the question most writers dread. Or rave about. Iain Banks rants about it at great length in his glorious book, ‘Raw Spirit‘:
“Leaving aside the obvious, ‘Class A drugs, actually’ or, ‘A wee man in Auchtermuchty’, I’ve sometimes wondered what sort of answer people really expect to this.”
(‘Raw Spirit’ by Iain Banks, Century Books London, 2003 p255)
And so he goes on. I asked him at a signing once about how he dealt with getting stuck in the middle of a novel, and he obviously interpreted it as me asking The Question, and didn’t take it well!
But in my mind its a reasonable question for one thought alone, and it is this:
Maybe we don’t know where the ideas come from, but how do we get our minds into the right place for them to arrive?
Its about putting lots of mulch in the ground to make it a rich, fertile place for new things to grow.
I have an assortment of answers to this problem, but today I thought I would share one of them with you.
I make a playlist for every novel I write. When I am sitting down to work on a scene, or with the characters, I play the playlist on my headphones, and this gets me in the mood, gets me in touch with the characters, the environment, the colours and sounds through which they move. Often, particular characters end up being associated with specific tracks.
And sometimes, it is just one piece of music that I hear that sparks a story, or gets me in the mood to write.
Here are some to try:
Richard Hawley – Standing at the Sky’s Edge
(This is the core soundtrack for a novel I am working on at the moment)
(This is the ‘title theme’ for a novel about my favourite character, Evenlode.)
Fantasia on a Theme by Thomas Tallis by Ralph Vaughn Williams
(This last one I listened to for six months pretty much continually while I was writing the climactic scenes for my first novel, which was set on the South Downs in Pre-Roman Britain.)
Get out your CD collection, or your iPod, or fire up youtube, however you listen to music. Listen to a few tracks and see what mental images are conjured up. What landscape can you see? What kind of people inhabit this world? Can you see their faces? What challenges are they facing? Who do they love? Who do they hate?
Get out your writing notebook and begin to set down what you can of these images. You may need to make lists of ideas or words, or you might like to write passages of description. You might even draw! Note everything that comes to you, and listen again, as many times as you need to in order to get out as much as you can.
Don’t forget to write down the piece of music and the artist whose work generated the images you have found.
This exercise may prompt a whole new story, or you could use your descriptions to feed into something you are already working on, or something you have yet to write. Nothing you write is ever wasted – it can all be recycled into new work.
Happy listening – and writing!
This was really fun.
I didn’t manage a story as such (I’m no good with dialogue) but an idea and outline for one that for a first try I’m really proud of.
Hooray! I’m so glad you had a bash! Good luck with fleshing your ideas out, I’d love to know how you get on. EF
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