Tag Archives: University of East Anglia

The Writing Life: Literary festivals

Finding your tribe as a writer, or in any kind of creative endeavour, is an important thing to do.  Being around other writers provides support and inspiration, and I think it’s a crucial thing to do.  Writing can be a very solitary activity, and its no surprise to find that many writers suffer from depression.  You try sitting on your own every day for six months of the year and see how it affects your mental health!  Its important to get out.

Literary Festivals and author signings are a really good way to fill your well and get affirmation for your work.  Maybe you won’t be able to present what you’ve written to other people, but being around those who are interested in the same things as you, undergoing similar challenges, really helps.

As a writer, you also need to gauge the market and be aware of your contemporaries’ work.  Reading is an important thing to do, and if you really love writing, you will love reading just as much!  Literary festivals give you a chance to be exposed to books you might never pick up otherwise, to hear authors speak about their work, and to ask questions about their writing process.   Think about it – a huge reservoir of inspiration and knowledge out there, just waiting for you to tap into it.  Why would you not?

Your local bookshop will probably have readings by authors scheduled, and these are worth attending because they are more intimate, and allow you more personal access.

Check the culture and review sections of newspapers, and the ads in writing magazines, as well as noticeboards in libraries, for details of the bigger events and festivals.  Some music festivals are starting to have literary strands too, so keep your eyes peeled.

My nearest festival in the one at the University of East Anglia, but its slightly different from a three day or week-long event, in that it studs two university terms with readings by authors, playwrights, poets and journalists.  This gives a wide variety of speakers over a six month period, and allows me to attend where I want, and to absorb what I learn over time.  And because it is such a prestigious centre for creative writing, it attracts some seriously big names.

I have attended events with Arthur Miller, Jeanette Winterson, Rose Tremain, Simon Armitage, Seamus Heaney, Iain Banks (need you ask!), Rachel Cusk, Alan Hollingshurst, Isabelle Allende, Richard E Grant and many others.  I went under sufferance with a friend to see Ian McEwan, whose writing I hate, only to be utterly charmed and instantly determined to reread everything he has written.  And I saw Doris Lessing the week after she had been awarded the Nobel Prize for Literature.  She was feisty, fascinating, and marvellous despite obviously being in terrible pain, and she tore the rather pompous interviewer to shreds, which was very satisfying.  At the end she received a spontaneous and heartfelt standing ovation, and I actually found myself crying.  You can’t find better inspiration than that!

Be warned, however.  Sometimes your idols can prove to have clay feet.  I went to see Graham Swift, whose books ‘Waterland’ and ‘Last Orders’ I had adored.  He read so badly, and was so miserably boring, that I felt insulted enough to vow never to read another one of his books.  And I haven’t.

Brett Easton Ellis was a writer whom I had worshipped since reading his work for my degree.  I clamoured to get a ticket to see him.  And now I can’t remember a thing about him, not even what he looked like, and certainly nothing of what he said.

I generally come away from these events feeling inspired and excited about doing new work, full of ideas and hope for the future.  It can be a dangerous game, however.  Be prepared, if you go to an author reading, to feel insignificant, and that you work is poor and will never be published.  It happens sometimes, though less often the more you write, and it will pass.

The important thing, however, is to go.  Attend events with even the least known authors, since they are often the ones who will inspire you the most.  (And one day, you might be up there too, so it adds to your own karma to support other people!)  Ask questions, and read the books.  This will enrich your own work, as well as introducing you to writing you might never have experienced otherwise.

Challenge yourself.  I don’t really do poetry, but went along with a poet friend of mine to see readings by several poets, and was enchanted.  I’ll never be a poet, but this form has opened my mind to the possibilities of language, and I’m so grateful.

Finding your tribe, and being amongst other writers is important.  It helps you feel part of a joint creative endeavour, but it also feeds your Muse.  There is a whole world of wonderful written joy out there, and literary festivals area an easy way into it.

Happy listening!

EF

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The Writing Life: Writers Groups

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I belong to a writers group.  And it’s great!

It all began years ago, when I started the Diploma in Creative Writing at the University of East Anglia.  It was the first writing course I ever went on.  I walked into the room and found myself surrounded by people like me.  It was the first time I ever felt like I wasn’t different and strange.  I had found my tribe.

Writing is a solitary occupation, so it is crucial for both your mental health and your work to socialise.  And what better way to do that than with other writers who are going through the same trials and tribulations as you are?

As part of our diploma course, we went on a weekend retreat, involving taught sessions, visiting speakers, workshopping and private writing time.  It was a huge success and we bonded.  Many of us went on to study for the Advanced Diploma in Prose Fiction, which was primarily a workshop-based course, and that further cemented the group.

Since then we have continued to meet, once a month, to share our work, our experiences, problems and interests.  And an awful lot of tea and flap-jacks!  Members have come and gone, buts okay.  There is a core group who have stuck together for over a decade now, sharing life experiences, supporting one another through MA courses and publication.  We go on annual retreats together, about which more in future.  We meet at each other’s houses, planning dates ahead and each offering to the host nights most convenient.  Hot and cold drinks, nibbles and cakes are provided to lubricate the conversation.

Based on the old course model, each member brings a piece of new writing that they have done, and we try to keep it to around 1,000 to 2,000 words in length – any longer and it takes up too much time.  You can read your own piece, or ask someone else to read it.  (It is sometimes really helpful to hear another person read it in order to pick out the parts where the writing is less fluid.)  Then people comment.  Helpful and empathic criticism is offered.  We always make sure we start by pointing out what we like about the piece.  Often, if it is part of a larger work, people will ask questions about plot or backstory.  Because we know one another’s work so well, we can refer back to earlier stories, or earlier parts of the work, and kick around ideas to find out what might be a useful improvement for any problems.  At the end of every participant’s session, they are asked how they feel about what was said, which gives them the chance to say anything that has been missed in the discussion.  We usually manage to workshop about three pieces of prose in a 2.5 hour meeting.

Not everyone may have something they want to read, or will have had time to write that month, and that’s okay too.  They contribute by commenting on and supporting the work of others.  We have prose writers and poets.  We share news of any courses or day schools that may have been attended, and often discuss what books everyone is reading too.

And of course, we do a lot of nattering and gossiping too.

Outside the regular meetings, we have been known to circulate work and meet informally for writing sessions.  We even do writing sessions over the phone.

I encourage you to find your own tribe.  You can do it online or in person.  Libraries and publications such as Mslexia and the Writers Digest often have small ads for writers groups.  Or start one yourself, as we did.  Make sure you are happy with the atmosphere and ethos of the group you join, however.  There is no point in sharing your work and then having it brutally cut to pieces.  Gaining confidence in dealing with confidence is one thing.  Bullying is quite another.  There are pitfalls with joining any group, but the advantages with a good one will outweigh any glitches.

My pals in the group have stuck by me through thick and thin and seven novels, and I am eternally grateful to them for their kind support and criticism.  And for banning me from using the word ‘massive’.  Sometimes you need that kind of pal.

Dear Bridget, Clare, Heidi, Nina, and Sally, I love you.

And now I had better get myself together and go and put some flap-jacks in the oven, because they’ll be round tonight and I haven’t written anything yet!

Happy creating,

EF