Tag Archives: Writing

Choosing the Right Words – An Introduction

I want to talk a little bit this week about the idea of choosing the right words when you write.  About thinking carefully about the words you use to express a particular mood, character or action.

This probably seems a ridiculously obvious concept, but to neglect it means abandoning a whole myriad of ways in which you can make your stories deeper, enriching them for your reader.

Think about a man walking.  You could say:

  • He ambled
  • He limped
  • He sashayed
  • He scampered
  • He strode
  • He marched
  • He hobbled
  • He stomped
  • He inched
  • He shuffled
  • He scurried
  • He strolled
  • He paced
  • He sauntered

And these are only a few of the synonyms you could use for the verb ‘to walk’.  Yet, they each tell us something different about the man doing the walking, and raise questions in the reader’s mind about why he is moving in that particular way.

For instance, the man who is limping – Was he born with the limp, or has he acquired it, and if he has, was it recently or a long time ago?  Does he have some physical disability that limits his movement, or has he just this minute been in an accident?

He might, for example be limping because he is very old.

Perhaps he limps as a result of an old war wound – like our friend Dr John Watson.  This introduces a level of poignancy, of heroism wrapped in tragedy, and invokes our sympathy for him.

A man who strides has self confidence.  He holds his head high, intent on getting where he is going.  He may be a man on a mission – and we want to know what that mission is!

A man who sashays might be a bit camp, might be a dancer, might be charming a companion, moving in this way to make her laugh and draw her in.  Is this the start of a big romance?

A man who ambles is in no particular hurry.  He is relaxed.  He has time.  We might think him lazy, perhaps, or more likely, a man on holiday from the usual stresses of his life, sure in the knowledge that everything can happen at his own pace.

Usually we think of ‘Show, Not Tell’, the old writers’ maxim, as something overt.  Don’t tell us how John Watson got his war wound, for example.  Better to show us.  Show us his recurring nightmare of the moment it happened (which also demonstrates to us how he is barely coping with the trauma, as well as showing us the actual trauma itself –two for the price of one!).

By using the right words, evocative and interesting ones, we can communicate to the reader so much  more, and in such a subtle way that they barely even notice being told – which is true writing skill!

Writing Exercise:

Think more about the verbs I have used in the list above, and what they communicate about the man doing the movement.  Choose one and use it as a prompt for a writing exercise.  Take fifteen minutes to free-write in your writers notebook about the man who marches, the man who scampers, or any of the others.  (Come up with some of your own, if you like.)

Make a character sketch.  Who is this man?  What does he look like?  What age is he?  What does he do – and how does the way he dresses and moves communicate that?  Why does he move the way he does?  Where is he going in this particular fashion, and why?  Is anybody with him, and are they affecting his way of moving?

When you have finished, look over what you have written.  Can you see any clichés?  Remember, while clichés are usually clichés because they are true, they don’t have to come across as clichés!  Always be on the lookout for clichés in your writing, so that you can remould them into strange, eye-catching virtues.

You could use this character sketch as the core of a larger piece.  Or you could take the character you have created and write about him moving in another of the ways listed, repeating the exercise to learn more about him.  Why would he change his mode of movement?  Is he responding to the requirements of others, or affecting a certain walk to give a particular impression?  If so, why?

Spend time playing with these verbs, and let them take your imagination where it will.  Most of all, have fun!

(If you want to read the next post in this series, click here.)

Happy Writing,

EF

Developing Superpowers

I was reading a post at Rightbrain Planner this morning, and these words jumped out at me:

“Planning habits are part of personal assessment for me.  Part of knowing what my skills are and being my own hero.”

BEING MY OWN HERO.

Those words blew me away.  How is this even possible?  Can I be my own hero?  Can anybody?  And if I were, how would it feel?  Would it feel as incredibly freeing as it sounds?

Blogger and artist Andrea Sher often asks: what is your superpower?

Or as the ancient nun Jiko puts it in Ruth Ozeki’s transcendent novel, A Tale for the Time Being:

“‘Nattchan, I think it would be best for you to have some true power.  I think it would be best for you to have a superpower.’

She was talking in Japanese, but she used the English word, superpower, only when she said it, it sounded like supah-pawah.  Really fast. Supapawa.  Or more like SUPAPAWA-!”

Page 176.

I’d like to have a SUPAPAWA.  I’d like to be my own hero.

Old Jiko teaches her great-granddaughter Nao how to find her SUPAPAWA through sitting Zazen, a Zen Buddhist meditation.  Obviously thats one way to go.  The other seems to be to follow the words painted above the entrance to the sanctuary of the legendary Oracle of Apollo at Delphi:

Know Thyself

I truly believe that the only way to do that is to ruthlessly explore ourselves through creativity.  Through writing and painting, journalling and making, through dance, music, theatre and the culinary arts, and whatever else we can create out of the raw materials of our souls.  That way, by fearlessly adventuring into our creativity, maybe we really can become our own heroes.

If i had to say what my SUPAPAWAs are, I would probably mention two:  the knack I have of making people smile, and writing.

Oh, and I make a really mean gluten-free chocolate brownie!

What are your SUPAPAWAs?  Could you be your own hero?

Happy Creating,

EF

Postcard from the Underworld

There is some weird and funky stuff going on with my energy levels at the moment.  And some strange synchronicities keep happening.  Too many to ignore.

The Universe is sending me messages.

Let me explain:

Since Christmas I’ve been struggling with low energy, pain and brain fog.  Being creative has been an uphill struggle.  Most of the time it has not been happening at all.  I mean, who has the strength to be creative when every step feels like walking on broken glass, or when it’s all you can do to keep your eyes open for an hour at a time?

Then there are the synchronicities that just keep on popping up.  Seriously, it is like the Universe is jumping about and waiving it’s arms, trying to get me to notice.

The Persephone Myth.

Bears.

Hibernation.

These stories and images keep arriving on my desk, my desktop, in magazines, on Facebook, in books and on the TV.

‘The only way out is through.’

Today, I was working with my therapist on all the OUGHTs I have piling up inside my brain.  Nigel has been shouting pretty loudly lately, so the first thing to do was to kick him firmly out of the door, SHOULDS and all.  No more SHOULDS or OUGHTS for me, at least for an afternoon!

I talked about the pain and exhaustion I’ve been experiencing, and then I mentioned the fact that bears have been on my mind lately.

‘Let’s look them up,’ says my ever-resourceful therapist.

Bears, according to Native American theology, are about intuition.  They are about being true to yourself, and trusting your instincts as you go in search of the honey of inner truth.  They are about Shamanic inner journeys, visiting the Dreamlodge, the Otherworld, about contemplation and hibernation and ultimately, rebirth.

Not far away, then, from the myth of Persephone’s journey into Hades, her sojourn in the darkness comforting the souls of the dead and learning inner wisdom, and her return to the surface world in Spring, older and wiser.

Bears are animals that hibernate.  In the depths of winter many beasts, seeds, roots and bulbs in the ground are sleeping in darkness, recharging, waiting for the surge of renewal that comes with the returning sun.

Well, you may not be into New Age symbolism, but these are ancient archetypes of the kind favoured by Jung, and it is not hard to extrapolate from these metaphors to the period of hibernation that my low energy suggests.  Human beings were once small, furry creatures that may have hibernated, and who is to say that some of us don’t still carry the imprint of that behaviour somewhere in the primitive vestiges of our primate brains. Anyone who has suffered from even the mildest symptoms of Seasonal Affective Disorder (SAD) would certainly agree.

So here I am, dug deep in my cave, wrapped up in the comforting furry arms of my bear familiar, letting the energy of hibernation circulate around me.

It is not static energy, oh no.

I may be resting, contemplative, still, but here in my snug little fug, stories are gestating.  Sometimes we need these times of hiatus to feed our creative souls.  It is not just my exhausted body and drained mind that need rest.  My Muse needs to sleep too.  And while she sleeps, babies grow in her belly.

I have realised that pushing myself to climb out into the sun too soon will be a mistake.  All the plans and intentions, those things-I-am-not-calling-goals, will have to wait until I am ready, physically, mentally, and creatively.  I must remind myself not to rush things.  Don’t birth the babies until they are properly ‘cooked’!

Are you in a time of hibernation too?  Were you propelled into 2014 with renewed gusto, or are you like me, groping your way like a blind mole, struggling to hold your head up in the pale wintry light?

If you are the latter, try to forgive yourself.  We cannot make ourselves energetic if the juice just isn’t there, no matter how much Society nags us that it should be.  Tell your Nigel to take a hike.  Snuggle down, like me, in your burrow and nurture your bear energy.  Find out what the stillness of hibernation has to say to you, how it can nourish you for future months.  Don’t force things.  Wait it out.

Spring, with all its creative renewal, will come soon enough.

Happy hibernating,

EF

Inspiration Monday: Commuting

I’ve written already about the wisdom of walking for the creative life.

No reason why I shouldn’t repeat myself, of course.  Especially now we are in a new year, with new Intentions and new opportunities.  I have promised myself I will walk more this year.  Sometimes, this is not an easy promise to fulfil.  There are appointments to be met, after all; there is the filthy English weather (and believe me, filthy is what it is at present), and then there are my physical limitations.

Yet, in spite of the mud and the commitments and my low energy levels, I am trying to get out most days.

And there are so many things to see.  Some of the best walks I’ve ever had have been the repetitive ones to and from work, or school, the continual plodding on the pavements that sets up a meditative rhythm.  This time of year, walking home in twilight is especially evocative.  Not only can you see into other people’s houses as you pass, because many people don’t draw their curtains too early, but the landscape changes when industrial lights are switched on.

As a teenager, my walk home from our nearest bus stop was a route that skirted fields and woods.  Behind those woods, though, lay a huge industrial area, lit by massive floodlights in the dark hours.  The entire night sky glowed with this statement of manmade power over the environment.  To me, it looked uncannily like one of those landing pads on strange planets from the Star Wars films, and it fuelled my imagination continually.

Walking is not the only way to travel home from work, of course.  Sitting on a bus is great for inspiration too.  You can see so much more from the height of a bus seat, and not just into people’s windows, and thus into little vignettes of their lives.  Tableaux of office workers frozen in time as you pass their workplaces will catch your eye: someone handing over a file as the recipient reaches out to take it over a low  desk partition;  a group of besuited workers sitting around a conference table working out details of a deal; a pile of files teetering in an in-tray.  What are they talking about, these people who are so busy?  Whose lives will be changed by the outcome of that meeting, for better or worse?  What details, sinister or otherwise, are contained in those files – the potential for a fraud conviction, or the much-cherished hope of an adopted baby?

On a train, disparate people gather together and ignore one another.  They listen to hissing music on iPods and phones, tap at laptops or iPads, read books and newspapers, stare out of the window or fall asleep.  Each one has a story.  Can you be Sherlock Holmes and deduce their tale?

Viriginia Woolf, my heroine of writers, snatched up just such an opportunity in her short story, ‘An Unwritten Novel’, in which the narrator sits on a train and tries to guess the tale of a woman sitting in her compartment.  If you have never read it, I enthusiastically recommend it, not only as an example of how you can take a moment from your everyday life and make a work of art from it, but also for its fine stream-of-consciousness style and its sheer wit.  People’s occupations on trains may have changed since it was written, but the way we react to them, I should hazard, probably has not.

Creative Exercise:

How do you travel to your daily occupation?  Do you take the bus, train or Tube?  Do you cycle or walk?  Whichever you do, you may view it as a necessary evil, a time to catch up on your email, or some extra sleep.

What about reframing that view?

What if your daily commute to work, college or school became a special time set aside for creativity?

You could take a sketchbook and a biro and draw portraits of your fellow commuters.  This might develop into a whole series of painted portraits that depict your daily travels and those who accompany you on your journey.

You could compose a story about them in your head, and use it as the basis of a short story or novel, as Woolf did.

You could even go all ‘Brief Encounter’ and come up with a passionate love story between two of your fellow travellers!

(Probably best not to do this so much if you drive.  A vehicle is a life-threatening weapon, so you need to be alert and aware when you are in charge of it.  But maybe at traffic lights, you could look into other people’s cars and see what they are up to – applying mascara, fiddling with the radio, texting or picking their noses!)

What do you see as you travel?  What landscapes or buildings do you pass?  What could be going on inside that floodlit brick bunker that looks like a government establishment?  What story is being lived out on each floor of that block of flats you stomp past every morning? (I recommend Alaa Al Aswany’s superb novel, The Yakoubian Building’, for an example of this.)

Take your writers notebook and make notes of the ideas that come to you.  Make this time a time for your imagination to be unleashed.  Make a chore, a daily misery, into the highlight of your working life.

Happy creating,

EF

A Letter to Darla’s Daughter about Fanfiction

Dear Darla’s daughter,

I’m really sorry, but when your mom left a comment on my website, she didn’t tell me what your name was, so I’ll have to hope you don’t mind my being a bit general.

Anyway, she said that you are 12 years old and that you like writing fanfiction, like me.  She also mentioned that she is trying to get you to start creating characters of your own, something you and I also have in common, because I am trying to do that too.  She believes this is important, and so do I, and I wanted to tell you why.

First, though, I want to say Yay for you!  You’re writing, and that is fantastic!

Writing, as I am sure you have found out for yourself, is great fun, some of the best fun, in fact, that it is possible to have.  And fanfiction?  Well, doing that just makes it even better.  You take other peoples characters and send them out into the world of your imagination.  You can make them do whatever you like, get them into all sorts of trouble, and get them out, have endless adventures with them – what’s not to like?  And then there’s the other thing about it.  You get to act out all your crushes on the gorgeous actors and pop stars that you like.  Yes, don’t blush, we all do it!

I was writing fanfiction at your age, although I was writing about actors and shows you have never heard of, and probably never will, and fanfiction didn’t even have a name back then!  It was something you did by the light of a torch under the blankets at night and didn’t tell your friends about.  A fantasy life all your own.  It was something embarrassing you did in private, like picking your nose!

Now it’s a recognised genre, although there is still a lot of snobbery about it, like there still is about all kinds of genre fiction, like crime and romance.  (Usually the people who criticize it are not writers themselves, though, so feel free to completely ignore their opinions because they invariably don’t know what they are talking about!)  Today, people recognise that most of the great writers have written fanfiction at some point, and popular and literary novelists are being paid to write fanfiction novels for the legitimate market.

Fanfiction is a great thing to do, too, because it allows you to practise, to test out your writing skills and grow them.  The more you write, the better you get, and if you are enthusiastic about the characters, you will write more.  You get to experiment in ways you just can’t with other types of writing.  And if you share your work online, there is a whole world of other writers willing to help, advise and support you as you learn.  So don’t ever let anyone tell you it is wrong to write fanfiction, or that its not ‘real’ writing, because it is.

But here is the thing:  using another writer’s characters can only take you so far.  And if you really like writing, if you really want to get good at it, you have to take the next step.  You have to make up your own original characters.

Why?

Well, here is the thing:  At the heart of every truly great story are great characters.  Look at Harry Potter or Lord of the Rings, for example.  Both are full of fantastic, original characters, from Severus Snape to Frodo Baggins.  There are outstanding characters in every truly great novel.  Think of Elizabeth Bennett and Mr Darcy in ‘Pride and Prejudice’, Scarlett O’Hara in ‘Gone with the Wind’, Willy Wonka in ‘Charlie and the Chocolate Factory’ or even my favourite, the wonderful Sherlock Holmes.  In films, you might choose the shark fisherman Quint in ‘Jaws’ (which you are too young to have seen, I suppose, but that’s a treat for the future!), James Bond or Spock in ‘Star Trek’; on the stage, there is the villainous Salieri in Schaffer’s ‘Amadeus’ or the Phantom in ‘Phantom of the Opera’.  If you haven’t come across any of these yet, I encourage you to seek them out because they are tremendous.

All original.  Each loved by millions.  And each one has ensured their creator’s immortality.

So, to become a great writer, or even a good one, you need to have at the core of your work truly great characters.

But here is the really wonderful part:

There are only seven plots. Okay, yes, you can chop them up and interchange bits of them endlessly, but basically, there are a limited number of things you can do, plot-wise.

But there are as many original characters in your head as there are people on the planet.  And here is why:

No one, anywhere, even if you are a twin, has ever had the same experience of the world as you.

You are unique.

The way your mind works, what has happened to you, the things you think about and imagine, that you think are important, that you love and hate, are all unique.  There may be a few people quite like you, but no one, anywhere, has ever experienced the world exactly the same way as you.

And because you are unique, your imagination is unique.  No one else can create quite the same kinds of characters as you.

And once you start creating your own characters, they start getting up doing things inside your head that are completely exciting and unexpected and utterly amazing.  Believe me – I was writing a novel a few years back, and one of my main characters just upped and died right there in front of me, without any warning, and I didn’t know what to do because half of the rest of the book depended on her being there!  Help!  Okay, I fixed it in the end, but it was a scary moment.  And also utterly wonderful.

Once you start creating your own characters, your writing moves on to the next level.  That element of chaos as they take on a life of their own is only the start.

That is the moment when the wonderful thrill of story-telling hits you, and you open your wings, and take off, and soar through the air.

Fanfiction is great, believe me, but it is like being a sparrow when you could be an eagle,  And wouldn’t you rather be an eagle?

So creating your own characters isn’t just thing your mom goes on about because its what she thinks is important, even though you are having so much more fun making the pin-ups on your bedroom walls have romantic adventures through fanfiction.  She wants you to taste the real freedom of the imagination, as do I.

That is why I am going to write a lot less fanfiction this year, and concentrate more on my original characters.  I’m already having so much fun with it.  So why don’t you join me?

With Best Wishes from your fellow writer,

Evenlode’s Friend.

Outflow: Aftermath

john and sherlockSo last night, the last episode of series 3 of ‘Sherlock’ was shown on British television, and we have all survived to write fanfics another day.

Frankly, I am glad it is over.  I am fed up of it.  I am fed up of all the over-analysis and navel-gazing and second-guessing.  Its worse than teenage girls talking about their boyfriends!  I didn’t wait two years for uncontrolled squeeing and unalloyed adoration.  The whole series had massive problems as well as sublime moments, and I have reservations.

Reservations about the series and the way its going, and reservations about fanfiction.

Don’t get me wrong, fanfiction has been good to me.  It has taught me to write in ways I could never have explored otherwise.  It has given me the inspiration to write thousands of words and dozens of new works.  I have written every day, and I have loved every minute of it, even the bits when I was sweating blood over plot bunnies and getting aggressive reviews.  It has allowed me to deal with deep emotional trauma and reclaim my sexuality, something I never expected.  So, hooray for fanfiction!

But right now it feels a bit like a straightjacket.

I’ve got so used to writing with other people’s characters that I have lost the confidence to write my own.  And that is more than ‘a bit not good’.

Somewhere along the line, I have lost myself.  My own voice.  The only voices I can hear in my head these days are those of Cumberbatch and Freeman.  My own original characters have fallen silence, and I need to give them back their voices.

Of course, this doesn’t mean that I will never write fanfiction again.  I’m convinced that pretty much everything I have ever written has been a fanfic underneath.  And I had a surge of inspiration yesterday that finally undid the plot block I’ve been struggling over in my ‘Cuddleverse’ story, so hooray for that because it means I will be able to finish the damn thing!  And I so need to finish it!

But now my brain is finally coming back online after our Christmas Emergency, I am realising that I need to branch out in new ways.  That feels scary.  New stuff can be scary.  But if we don’t test our boundaries, how can we ever grow as artists?

Happy boundary testing,

EF

Creative Intentions for 2014: DARE and DEPTH

Getting over our emergency Christmas is proving a longer, harder effort than I had thought.  My brain is a puddle, so don’t ask me if I have written anything or created anything yet this year, because ain’t nothin’ goin’ on up there but clouds.

However.

Just occasionally, I have flashes of conscious thought.

I got into a conversation with Writerfriend on New Year’s Eve about plans for the coming year, as I mentioned previously, and it occurred to me today, while mulling that conversation over, that having a word for the year for my creative endeavours as well might be a good way forward.

Having two might be argued as cheating.  One word should fit all of my life, after all.  And yes, it fits the overview of where I want to go this year, of who I want to be.  My word represents the attitude I want to cultivate throughout the coming year.  It represents my willingness to ‘have a bash’, to move away from a fear and scarcity mindset, away from perfectionism and Nigel.

So maybe a Creative Word isn’t so much a word for the year as a Creative Intention.  A theme.  A direction in which to move.

The word I have chosen is:

DEPTH

I want to deepen my writing, explore a more multi-layered story-world, deeper characters.  I want to write an original work that displays this quality.  In short, I want to get serious.

I suppose this is an extension of the intentions I was nourishing in the Autumn of 2013.  The desire to read more quality fiction, the need to take my writing to the next level.  I am currently making a plan to help me step into this new phase.  It will involve:

  • Reading lots of new, literary fiction (luckily, Santa was kind to me on this front, with a supply of yummy new novels!)
  • Refreshing my basic writing skills
  • Reading works on writing by published authors – A L Kennedy and Paul Auster are first on my list.
  • Writing every day
  • Making better use of my writers notebook.

At present it is quite a sketchy plan, but no doubt it will firm up into clear tasks.  I don’t want it to get too firm.  I want it to evolve and morph with my needs and creative interests.  Nothing too concrete.  It is an intention, a theme, after all.

And no doubt writing blog posts here will be part of that plan, as well as a commentary on progress.

So that’s my Creative Theme/Intention/Word for the year 2014.

What about you?  What do you want to achieve?  Is there a quality you want to invoke into your creative life, or are there specific works you want to make in the coming months?  I’d love to hear about your plans in the comments section.

Happy creating,

EF

Welcome to 2014!

Writer Friend asked me yesterday what my creative plans for the coming year were. (He means to finish the last draft of his novel to his agent’s satisfaction.  Good luck to him, I say.)

Me?  Well, I just stared at him with my lower jaw on my chest.

Plans?  Creativity?  Ideas?  Hell, even original thought?  I beg your pardon?

Let me explain:  Mother-in-law (henceforward referred to as Mother) lives with Aunt-in-law (henceforward referred to as Aunt).  Mother has dementia.  Aunt is profoundly disabled by arthritis.  Aunt is Mother’s carer.  Just before Christmas, Aunt fell on the stairs and was rushed to hospital with suspected broken neck. Cue care crisis.  Luckily, neck was not broken. Result, however, was several days in hospital for Aunt, meaning Mother had no carer.  Husband and I, and rest of family, rushed the three and a half hour drive to take over care.  Aunt comes out of hospital, still needing 24-hour care.

Its a mess.

The upshot of all this is that we spent Christmas nursing, so effectively Christmas didn’t happen.  For ten days, my brain was occupied thusly: 90% firefighting care/nursing issues, 10% ‘ohmygodhowarewegoingtogetthroughthis???????’

We made it home in time to spend an exhausted New Year’s Eve with dear friends, and to stare blankly at the telly for the Sherlock Series Three Episode One premier last night. (Don’t ask me for an opinion, I haven’t got one yet.  I’ll tell you when I get my brain back.)

I haven’t had an original thought to spare for myself for nearly a fortnight.

So the plans I had for writing a jolly, upbeat, ‘these are my creative plans for 2014’ post for you today are wrecked.  I don’t have any plans because I haven’t had time to think about them.  Of course, I will write one, eventually, when my brain is less bombed, and when I have recovered from the bone-deep exhaustion that only an ME sufferer faced with such an emergency can experience.

Why am I telling you all this?  (Apart from to apologise for not writing something you didn’t even know I was going to write?)

Because this is a real-life demonstration of the philosophy this blog was established to promote.

In a minute, I will put away my laptop and excavate my desk from under the heaps of clutter that accumulated there in the chaos before Christmas.  And then I will open my journal, and pick up my pen, and press the nib to the paper.

And then I will find my way back to myself.

Somewhere, buried under the rubble of the last two weeks, is my soul.  My mind.  My creativity.  And my pen will make a line, a track that will lead me back to my soul, my mind, my creativity.

This is why writing is important.  Whether we write a journal or a story, a play or a poem, that line of ink leads us home to ourselves, over and over again.  And if we follow that inky trail, we will never be lost, no matter how difficult and hopeless things seem.

Happy New Year,

With Best Wishes,

EF

Merry Christmas

Dear All,

Its that time of year when it falls to each of us to receive with grace, and give with love.

I want to say a particularly heartfelt thank you to each and every one of you for reading and following this blog. 

Its been a work of my deepest soul to create this corner of the web for you.  I am still finding my way, working out what I want and need to say to you, and what you want and need to hear.  I began writing in a spirit of great trepidation, not sure if anyone out there would want to listen, afraid to show my face, like the ugly duckling.  Now here I am, months later, fulfilling my dream.

And its all because of you.

Thank you for listening – or rather, reading.  Thank you for being here.  Thank you for replying, commenting, participating.  Thank you for reading and reviewing my fanfictions.  I’m hoping to be putting out more original fiction soon, but the fanfiction journey will continue.

Over Christmas and the New Year, my posts will likely be erratic.  I’m dealing with a family emergency and I don’t know how it will turn out.  At the moment, all is uncertain, except that profound change is coming.  That said, the thought of my writing and this blog is part of my creativity inention for 2014 in a BIG way.  I’m looking forward to DARE-ing with you.

In the meantime, I wish you a peaceful, creative and love-filled Christmas and a happy and healthy New Year.

May all your dreams come true,

With love and grateful thanks to you all,

Evenlode’s Friend

Its Never Too Late…

Whenever I see an article in the paper about some young person who has won an important first novel award, or got a massive advance on their first book, I have a mini meltdown.  Its not that I would take their achievement away from them.  Its just that I am now 46, and still struggling to finish a book that I am happy enough with to publish.

But how old is too old?

I could probably quote a dozen examples of authors who didn’t publish their first book until they were in their 60s or 70s.  There are always the exceptions.  I keep telling myself that its never too late to fulfil the dream of that first novel I wrote at the age of 16.  But you have to really understand the fact in your heart, as well as in  head.

Let me tell you a little story about fulfilling your dreams at any age.

The other day I went to my first Masked Ball.  I’m not a dancer by any stretch of the imagination, but we had been invited to go by friends who are.  It was an event run by the dancing school our friends attend, and as part of the entertainment, several of the school’s students danced exhibition dances.  To uproarious applause, there were paso dobles and waltzes and tangos.  (And there were lots of sparkles too, and I just love sparkles!)

Marvellous.

And then a tiny little old lady in a lacy top and a bow in her hair got up, and danced the foxtrot with her lady teacher.  And it was lovely.  She got the biggest round of applause of the night.

Then the evening’s compere told us about her.  How she had fulfilled a lifetime’s ambition recently by dancing in the British Ballroom Championships at the legendary Tower Ballroom in Blackpool.

Turns out, this lady, who reminded me a great deal of Mrs Pepperpot (if you remember her), was 86.

Eighty-six years old and still ballroom dancing.  Competitively.  Eighty-six years old and still pursuing her creativity.  Eight-six years old and still fulfilling her dreams.

How old is too old?

Ask me when I get to 87.

Happy Creating,

EF