Category Archives: My Life

The Friday Review No. 3: Processing

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It’s the last day of March, and I’m home after a fortnight of running around like a headless chicken, attending to family duties.  Its been one long, continuous To Do list.

Honestly, I’m knackered.  Even if I didn’t have ME/CFS, I’d be wrecked.

The problem is that there has been so much mental processing, so many emotions, that my mind feels full of fog.  I can’t think straight.  In fact, I can’t think at all.  I feel like I need to be still, wrapped in silence, on my own for at least a week, to get my head around what just happened.

Sometimes, life takes over, and then drops you like a stone, and it takes a while to get back into the groove of who you are and where you want to go.  I have come home to my life of writing and blogging and drawing and being me, and I feel like I have lost the connection with that life.  I feel like an alien to myself.  But all I need is time.

Often in the creative life, we try to force things.  Something monumental happens, the illness or death of a loved one, a new baby, our own ill health, moving house or job, anything that makes for a big upheaval.  And we try to pretend it hasn’t happened, that we can just carry on.

Sometimes, we can.  Sometimes keeping writing or drawing or making music is the thing that anchors us through the storm.

There are also times when we need to sit down and just be.  Times when it is important to assimilate what has just happened.  Times to lay down the pen or the plectrum and give ourselves time.  Time to let this new reality sink in.  And caring for your creativity, and yourself, depends on the skill of knowing which to do.  Today, my gut is telling me to rest and process.  And I am listening.

So I’m giving myself time, and not forcing it.

I had my session with my writing coach, Heidi Williamson, yesterday, and it was great.  So much to think about.  I’ve kept up my writing practice sessions, twice a week, just as I promised myself, and Heidi, and you, dear reader, throughout my travels, which I’m very proud of.  And that felt good.  And I’ve been reading – I finished ‘The Name of the Rose’ while I was away, and thought a bit about that.  So progress has been made.  Nevertheless, I know I need to wait till my brain comes back to normal service before I launch into more writing.

I have learnt one important thing this fortnight, though.  It is one I always have to keep re-learning.  (Duh.)  And it is this:

I need to write in my journal.  Every day.  Otherwise I don’t know who I am.

I sat down with my journal last night for the first time in two weeks, and wrote, and somewhere amongst the pages and the scribbled blue shapes of the letters, I found myself again.  Over and over, I neglect to write through difficult times, and then when I come back to it, I realise how much it would have helped me to cope, if only I’d made a priority of it, if only I’d made time.  That can be hard to do when you are at the beck and call of another, especially if its a family member who is sick and needs you, and as a result does not recognise any boundaries and expects you to be on call 24 hours a day.  Its very hard, especially if you are a woman, to set aside half an hour come what may, to be alone with your diary every day.  But if that is the only way to keep your sanity, then it must be done.

And that has been this week’s important lesson for me, I think.  That journaling is the key to my creative practice.  And my sanity.  And probably my identity too.  And it must be sacrosanct.  Nobody, and I mean nobody, must get in the way of my journaling time.  And that includes me!

With that, dear readers, I will leave you, and go and have a soak in the bath with my paralysed, fog-filled brain, and hope it comes back to life soon.

In the meantime, happy creating,

EF

 

 

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Witness my Journey

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A New Adventure

This is my plan to begin again.

Two years of creative drought are over, and though there are still challenges in my personal life which could prove equally difficult, I have decided I can’t allow myself to be so completely crushed next time around.

So I’m on a journey.

One step at a time, baby steps. Reminding myself.  Beginning again.

Its actually quite hard when you have been effectively out of the creative loop for so long, and there is no expecting to pick up exactly where you left off.  My typing fingers are rusty, my imagnation has stalled, my physical strength is unreliable, and I am far too likely to lapse into ranting at the mirror in the bathroom in the mornings, and then being in such a bad mood that I fail to find any corner for creativity the rest of the day.

Its time to inch into new habits, little actions that mount up, tiny movements that ease me into a new frame of mind.

I’m on a journey, and I’d like to invite you along with me.

I don’t know how its going to turn out, and if I’m going to get anywhere, or if I’ll end up back at square one, but I hope that you and I can both learn from the experience.  So I’d like to set out for you the little steps I am taking to ease myself back into writing again.

Firstly, I’ve made a vow to read more.  Yeah, I know, this from the woman who can’t walk past a bookskshop or a library.  This from a woman who has permanent damage to her shoulder from lugging around a handbag full of books, just in case she finds herself in a queue without some way to entertain herself.

I did a bit of analysis after Christmas, and realised that the majority of books I read last year were non-fiction.  That, or Terry Pratchett books I’d read before that I knew would comfort and distract me through admitedly difficult times.  I remembered the days when I was taking my Diploma in Creative Writing at the University of East Anglia, days when I consumed really good writers like Margaret Atwood, Michael Cunningham, Helen Dunmore and others.  I realised I couldn’t remember when I’d last read a new work of fiction.

So my new New Year’s intention was to read.  Widely.  Novels, yes.  A bit of History and, obviously, non-fiction.  To remind myself what good writing is.  And so far I am doing quite well, helped by the fact that we’ve been clearing out my late mother-in-law’s sustantial book stash, from which I have benefitted greatly.  I had quite a haul of books for Christmas too, which I’m looking forward to devouring.  The important thing to note is that I am excited about the idea of reading fiction again, which I haven’t been for a long time.  Which is a good sign.

Secondly, I’m pursuing a writing practice.

I read Natalie Goldberg’s wonderful book, ‘The True Secret of Writing’ at the end of last year and I was blown away by it.  I started doing timed writing practices in the manner she suggests.  Pen to paper. Write whatever comes.  Its heaven.

Thirdly, coaching.  Yes, you heard me right.  My dear friend, the poet, Heidi Williamson, is also a writing coach, and kindly agreed to take me on as a client.  Our first session was mind-expanding.  I’ll write more about this experience in future, but let me tell you, I’m sold.

I’d been wrestling with getting out of my own way to do writing practice, and Heidi suggested I make a deal with myself to do two sessions a week, on the days best suited to my schedule, which for me is Monday and Thursday.  So far, I have yet to default.  Which is unheard-of for me. I do it on other days too, which feels like earning huge brownie points.  Its only a little thing, twenty minutes at most, but it feels like a monumental change.  And I’m keeping a promise to myself, which is adding to my confidence.

Fourthly, not pushing.  This might seem counter-intuitive, but Goldberg suggests that you need to do writing practice for at least a year before you have even begun to accumulate enough material to track what it is you would like to write about in a sustained way, such as a novel.  So I don’t really have a particular project.  I’m just writing.  I’m being gentle with myself, because goals tend to freak me out and stop me writing.  There is plenty of time for them later on, when I’m ready anyway.

The whole point of not pushing is to enjoy myself.  I’m not going to write if it isn’t fun.  So why make it hard.  I want to enjoy it.

No doubt I will add to this routine in future, but this is my core plan to gentle myself back into creating.  I read somewhere recently that ‘Creativity is the expression of the Soul.’  My soul has taken quite a battering in the last two years, so I need to nurse it gently back to health with love and sploshy paints, and definitely no strict rules.

Finally, I mean to document my journey here on this blog, which has been sadly neglected of late. I want to tell you how I get on.  A bit of accountability, yes, but also a project to get me blogging again.

So I hope you will join me on my trip to Creativity,

with love,

EF

Twelfth Night

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Taking down the decorations

This is the part of Christmas I hate.  The clearing up.

Today is the day for taking the decorations down.  If you leave them up any longer, its supposed to be bad luck.  And since I don’t want any more bad stuff in my life for a good while, I’m diligently stripping the tree, just to be on the safe side.

Once all the cards and baubles are gone, the place looks rather sad and naked.  Empty.  You can see where all the dust and cobwebs have built up.  (I’m leaving the hoovering and dusting till tomorrow, so I don’t use up all my strength in one day.)  It looks especially empty this year because we made such an effort to bring that Christmas magic back into the house.  The first annual holiday without a loved one (in this case, my mother-in-law) is always a tough one, and especially so for my Husband this year, because his mother was such an enthusiast for the season, such an integral part of the family’s celebrations.  We had to make a particular effort to reclaim it not only from grief, but from the difficult memories of the last few Christmases spent in the shadow of her Alzheimers disease.

I think we managed it (mostly).  At least, I’m pretty sure it could have been a lot worse.  And when I came downstairs one evening and found him lying on his back on the sofa, gazing at the twinkling lights on the tree and listening to the soft music of Vaughn Williams, relaxed for the first time in months, I decided we’d found a reasonably happy medium.

Now the Yuletide festical is over, and we have to face the stark reality of a future year, the uncertainties of Brexit and Trump, as well as clearing out and selling the home of a loved one.  However, I don’t feel as desolate as I thought I would.

I always said I was a ‘glass half full’ kind of person.  You know the old adage, the one about looking at a glass with some water in it, and choosing to be optimistic about there still being something left to drink, or being pessimistic about the fact that its half gone.  The joke I heard recently about, ‘well, there’s plenty of space for more vodka’ seems to chime with how I feel today.

The house may feel bald and empty, but now there is space to fill it with new things.  Good things.  Things we can choose together, not the baggage of caring for someone with dementia, of watching her suffering, and of our own powerlessness to help.  There is new opportunity in the space that is left, both by the decorations and the lifting of the burden of caring.  And we get to choose what we fill it with.

Which is quite exciting when you think about it.

(Think of all the writing and painting I’m going to get done!)

So don’t look at your dusty, de-Christmassed home in dismay today.  Look for the gaps in between, the space for possibility.  Don’t mourn the loss of Christmas.  Think to yourself, in your best Mary Poppins tone, ‘well, what shall I do today?’

Happy Creating,

EF

Pivot Points

Let me tell you about the Marie Antoinette watch.

Its said to be the greatest watch ever made.

One day in 1783, an admirer of the French queen arrived at the workshop of Adam-Louis Breguet, the greatest watchmaker in Paris.  He wanted the perfect watch for the perfect woman.  His commission was to be without bounds.  Breguet was to pour everything he knew into making the most complex, and most beautiful timepiece possible.  Money was no object.

The watch became Breguet’s obsession.  Even after the French monarchy fell, Marie Antoinette was executed, and the lucrative business he had built from the commissions of the aristrocracy was in ruins, Breguet continued to craft his masterpiece.  Ultimately, it took forty years to complete, and had to be finished by Breguet’s son, four years after the master himself died.

Known officially as the Breguet No. 160 Grand Complication, the watch contained every function known at that time – Breguet even invented a few new ones.  It was crafted in precious metals and gems.  Breguet used sapphire for all the mechanical pivot points in the clockwork, in order reduce friction.

And its these sapphire pivot points that fascinate me.

Because I’m at a pivot point right now.

You will have noticed in recent months that this blog has become fairly, if not completely, dormant.  Life has, as it were, taken over.  There was no space to write.  No space in my life.  No space in my head.

Then, in September, on my birthday ironically, my mother-in-law died.  Her dementia had been filling up all the space in my brain and in my life.  Since she has been gone, I’ve begun to recollect not only who I am, but also all the activities that had been shelved and forgotten in order to look after her.  So many things I wanted in my life had fallen away, out of necessity.  And so many things now seemed irrelevant.

In the last few months, I know that I have changed not only profoundly but also irrevocably.  So much more has been happening than simply looking after my ailing elderly relative – things which are someone else’s story to tell.  And yet they, too, have had a hand in my transformation.  My life has been like a pack of cards, being shuffled by the Hand of (insert your favourite deity/scientific motivator here).

The day my mother-in-law died was a beautiful day.  The sun shone.  The sky was a perfect sapphire blue.  I stood outside the hospital foyer with a soft, warm wind on my face, and knew that I had reached one of Breguet’s pivots.  Wasn’t the sky exactly the right blue, after all?  And does not sapphire reduce friction?

The friction of life with Alzheimers is gone.  The cards that were thrown up into the air have fallen back down in a new order.  The things that seemed important then are irrelevant now, and vice versa.

Now the funeral is over, now the first shock of grief has passed, I find all I want to do is write.  I want to write something profound.  I want to write because I have changed.  I want to write something real.  Something hard.  Something pivotal.  My own sapphire pivot point.  So I am writing.  By hand in my journal.  In notebooks, longhand.  Using Natalie Goldberg’s wisdom as my map, I am steadily shuffling my way towards the light.

I hope I am making my own ‘Grand Complication’, out of the precious metals and gems of my own life.  I hope you will join me on my journey.  And I hope it won’t take me the forty years it took Breguet!

Happy Creating,

EF

Sometimes I forget

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You may think things are quiet here at Evenlode’s Friend.

Well, I suppose they are, on the website at least.  Not inside my head, however.  Not inside my life.

I haven’t been writing much here lately because, well, I’m going through another growing phase.  By which I mean, the shit really hit the fan again.

Sometimes you need to take time off for your life.  Sometimes you need to remember to take care of yourself.  And thats what I’m doing at the moment.  Intensively taking care of myself, and Husband, who was recently diagnosed with coeliac disease, almost a year since he was told he had diabetes.  This, along with coping with dementia caring, and my own health issues, has rather forced my hand.

Sometimes you need to take the time to devote everything you have to healing.

And the really odd thing is that this morning, I was reading an article about creative blocks (which sadly now, I just can’t find) and I thought:

I’ve forgotten how to do this.

I’ve been so focussed on healing my life that I’ve forgotten my creativity.  I’ve been so immersed in studying nutrition and recipe books, delving into spirituality and psychology, chanting mantras and ploughing through academic papers on brain degeneration in Alzheimers patients, that somewhere along the line, I’ve forgotten how to write.

Forgotten how to create.

Something new.  Something unique.  Something mine.

A creation that is truly of my soul.

Of course, I haven’t forgotten.  I still tell myself stories at night as I fall asleep.  The stories of love and redemption that comfort me in the midst of the storm, enough to enable me to believe that there is something good at the other end of all this.  Because I’m an old romantic at heart.  Because I believe that there has to be hope.  Because I believe that a hug makes everything better.  Even if its only a hug in a story.

But holding a pen?  A crayon?  Conjuring the contents of a new character’s pocket or handbag? Wondering why a character might take a tennis racket on a train trip to Switzerland in 1947?

Where did that go?

Cue that slightly dazed feeling that something is missing, like a limb, but you can’t quite work out where is has gone, or how, or even when.

I know that what I am doing right now is deeply necessary to my future wellbeing, and that of Husband.  I know I need to step up to the challenges that face me.  I need to delve deeply into my Unravelling.

But I don’t want to do what I did this morning, and sit there, staring at a photo of coloured pencils on a blog post, and feel a yearning that took my breath away.  Somewhere in all this, there has to be space to create.

Sometimes, I forget.

But from now on, I intend to remember.

Happy creating,

EF

The Muse with the Limp

Walking with my Muse

Walking with my Muse

My Muse is limping.

I’ve only just noticed. I think she has probably been hobbled her whole life. Or at least since my teens. Perhaps even since my childhood.

Since the moment when what other people thought became more important than what I thought.

I didn’t know until I looked at her. I didn’t know until I began to think seriously about her, about where we are going together, about what we want. I think most of all she wants to be set free of expectations.

Other people’s expectations.

Or rather, the way I constrain her by caring what other people think.

All the ‘how tos’ and ‘SHOULDs’ and ‘OUGHTs’. All the maxims and formulas. The schemata and diagrams and plot arcs and exhortations about what ‘The Market’ is looking for next.

Most of all, the Rules. You know the ones. About what is valuable. What is Serious. What is High Art. What is Literary.

I’m ashamed of the art I make. I’m ashamed of the fact that I write fanfiction. I’m ashamed that I write about sex. And about romance. Because romance is tacky and pink and very definitely NOT Literature.

(Never mind ‘Pride and Prejudice’ being a romance. Never mind ‘Jane Eyre’ being a romance. Never mind pretty much every great novel there has ever been having a love story at the centre of it, because this is what we do as human beings – we fall in love. Barbara Cartland made it cheap. Barbara Cartland has a lot to answer for. Or perhaps it wasn’t her fault. Just the fault of the patriarchal publishing industry which packages ‘women’s fiction in pink, tacky covers and gives it all the seriousness of maribou feathers, in order to keep us girls in our place. But I digress….)

One day I was walking along, enjoying the chilly afternoon sun, head in the clouds, and a revolutionary thought came to me:

I can do what I want.

I don’t have to listen to anybody else.

I don’t have to care what anybody else thinks.

I can do what I want.

I cannot tell you how extraordinary that thought was, coming to me not long after I had offered a story to a friend for feedback, only to have it be ripped apart (in a loving way, of course) and then to be told how to rewrite it – as she would have done. I should have known better, of course. The story wasn’t cooked yet. It was still in that wobbly, puddingy state when it hasn’t yet set. Not ready to be seen by anyone else, in other words.   And because I respect her opinion, because she is a SERIOUS writer, a Literary writer, I listened.

And my Muse has needed a wheelchair ever since.

(I note the use of the word SHOULD in that sentence earlier by the way. You see, I’m getting quite good at spotting them these days!)

But what would happen if I decided to disregard what THEY think. All those people out there whose opinion I value above my own?

What if I listened to my gut?

Medical scientists have discovered recently that there are more neurons, using more serotonin, in the human gut, than in the brain. That’s where the majority of your serotonin goes, in fact. That’s why we have what we call ‘gut feelings’.

Maybe I should listen to my gut. And give my poor, battered Muse a bit of physiotherapy. Perhaps I can set her free from all the OUGHTS and find out what she wants to do. Maybe we could have a bit of fun together, the first unrestrained fun we’ve had since I was writing Blakes 7 fanfics when I was about 8!

I’m not expecting to write the Great Novel that way. But perhaps I could just write MY novel.

Now, if you’ll excuse me, I’m off to throw out all of my ‘How to Write’ books, so I can discover how I write.

Happy creating,

EF

It’s OK to be Different

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Bowie as Ziggy

I guarantee this is not the post you are expecting.

In fact, I suspect its probably going to be the most contraversial post I have ever written.  But I’m going to write it anyway.

David Bowie died today.

Amidst the media hysteria and blanket coverage, amidst the tidal wave of mourning on social media, I ask you to spare a thought for those of us who are different.  For those of us who, while recognising that he was a cultural game-changer whose contribution to altering the way society views androgyny and the transgender community was incalculable, just never really liked the music.

(Cue cat calls and howls of disgust.)

I was not one of those teenagers who lay on their bed in the dark, listening to his music and wanting to be him.  He did not appeal to the need to be different in me, mainly because I didn’t have one.  I was too repressed. I didn’t like his voice and I found the majority of his songs rather boring.  I still feel that way.

OK, I like ‘Let’s Dance’.  But Major Tom left me cold, and lets not even go into the whole gnome thing, however satirical.  When ‘Ashes to Ashes’ came out, I remember the misery and boredom of it being at the top of the charts for week after week after week.

On the other hand, I do have an important Bowie memory, one that in many ways affected my life.  It happened in 1986.

Before I go on, I want to explain a little bit about my life before that time.  It was only four years after the Falklands War.  I lived in a Naval town, and most people I knew at school had fathers in the Services.  All my parents friends were in Naval jobs of some sort.  I knew people whose fathers were killed in the sinkng of HMS Sheffield.  I knew boys, whom I had grown up with, boys from my street, who came back from that war irrevocably changed.  While other British kids were struggling with the issues of poverty and unemployment created by the Thatcher government, I was worried about war.  We lived  between two major installations which we had always known would be prime targets in the event of nuclear war.  That sharpens the senses of a sensitive child no end, let me tell you.

One day in 1986, I was in the art studio at my college.   I was working towards my art A level.  The radio was on.  We heard news of the US air attacks on Gaddafi’s Libya.  The air went still.  You could feel the fear.

The lad whose cassette radio it was switched the radio off.  He rummaged in his bag and pulled out a tape.  He put it on.  It was David Bowie’s greatest hits.  And yes, it even included the gnome song.  We played that tape all day, only breaking off to listen at the top of the hour to the news.  We worked quietly at our paintings, and we listened to Bowie over and over again.

That experience taught me two things.

One was how music can transcend fear, can bind a group of people together and rescue them from their worst worries about the future.  Because yes, we really were afraid that Armageddon was about to begin. (Remember, this was a time before America was habitually involved in wars in the Middle East.)

The other thing it taught me that Bowie, however trendy it was to like him, however much I was told I SHOULD like him, sounded a bit boring to me, and I didn’t much like his music.

This latter fact I have hidden, along with not liking Kate Bush, throughout my life, for fear of relentless torment by the trendy and the snobs.

But now as I reflect on his life, I suspect that Bowie would have championed my difference.  After all, he stood for those who stand up to society, for those who are unashamed of diverging from Society’s norms.  He was truly a great cultural icon.

I just didn’t really like his music, that’s all.